I Hate About You is a relocation of the Taming

The Taming of the Shrew relocated to risque inform? Gill Gunners 10 Things I Hate About You is undoubtedly much complicated than a resettlement of Shakespearean The Taming of the Shrew into high school. The transformation of Shakespearean comedy Into the teen movie musical style and the integration of Elizabethan values enable the film to be a successful relocation of the play, yet the Incorporation of new gender conventions discerns it as something more than a relocation. The culmination of these facets produce a cinematic masterpiece that draws parallelism to Shrew In a feminist perspective.The transformation of Shrews comedic genre into the teen genre in 10 Things facilitates its relocation into high school. In Shrew, comedy revolves around the physical force play upon Kate, deception, and a play on words. The sight of a shrew physically quiet by a man would have been humorous to an Elizabethan audience. Humor is overly evident in Epithetic and Skates verbal battle, where elaborate puns are constructed. Women are make to bear and so are you (11. 1. 200). Here, Epithetic twists the word bear into meaning giving childbirth, thus twisting Skates Insults Into Innuendo. Influenced by the teen genre and the rise of fearfulness. N 10 Things, comedy exists verbally and in stereotypical teenage experiences. Ms Perks attempt to describe an erotic scene in her novel is evidence of verbal humor, similar to Pediatrics commit of puns. The concept of growing up is embodied in Cats antisocial behavior. Described as a heinous blotch, her unfriendly manner Illustrates her inability to accept her adolescence, much(prenominal) as dating. This is emphasized in the party scene, where the childhood swings she is sitting on Juxtapose against the adolescent party house In the background. The modern readjustment also explores teenage dating. Dating forms the basis of comedy.Blanch feels the urge to date for the purpose of fitting in to teenage culture. In the words, Im th e only girl that doesnt date, Bianca suggests that her motivation for dating is callable to peer pressure. The influence of peer pressure is also apparent in other movies based on a teen genre, such as grime (1978) and The Breakfast Club (1985). By appealing directly to teenage audiences through common experiences, Shakespearean comedy is relocated into high school. The integration of money and experimental condition as Elizabethan values into 10 Things contributes to It being a successful relocation of Shrew.In Shakespearean comedy, marriage Is an opportunity for the men to acquire wealth and extend their social status. Pedicurists motives for journeying to Pad are solely to marry the daughter of an affluent father to increase his own wealth and status, or as he expresses it, to Wives and thrive (1. 11. 42). The simplicity of Petroleums Intentions accentuates the ease to which It can be accomplished, and therefore suggests that marriage Is a game signed and played by the men. T hese values are incorporated into the teen adaptation by alternating the setting into high school.By incorporating the teen Shakespearean work, dating is a tool used to gain money and popularity. Cameron and Michaels plot to use Joey, a blotto Coco, to bribe Patrick to date Kate is evidence of this. While this increases Patriots money and allows Cameron and Joey to date Bianca, it also enables Michael to be cool by association to popular people, thus increasing his status among the school hierarchy. In such, the men benefit while the omen become puppets in a male plot. The similarities between money and status in Shrew and 10 Things depict a parallel course to which both texts extend.The distinction in gender conventions between 10 Things and Shrew is crucial in demonstrating that the modern reading material is more complicated than a high school relocation of the play. In Elizabethan England, women were the property of their men and were expected to loyally serve them. This conve ntion is adequately expressed in Shakespearean drama, culminating in Skates submission speech. In such, the use of juxtaposition comparing women to men in the words, l see our lances are but straws/ Our posture as weak, our weakness past compare, (V. I. 173-174) illustrates womanhoodish submission to male superiority in a patriarchal society. In consideration of Skates violent behavior, her acknowledgement of female servitude undermines her shrewish nature, and therefore demonstrates that she is tamed. Elizabethan gender conventions are transformed to a more feminist and less sexist perspective in the movie, dictated by modern attitudes towards women. Women in 10 Things josses more control of themselves and exert greater influence, such as Bananas manipulation to induce her sister to date.Similar to Kate, Kate is a young independent woman who strongly supports feminism. In the words, Why should I live up to other peoples expectations except for my own, Kate demonstrates she is un influenced from social oppression. In contrast to Pedicurists use of physical violence of taming Kate, Patrick uses kindness to tame the wild beast and socially conform her. The change in gender conventions while maintaining a similar characterization of Kate compels the elm to be a relocation of the play but in a more feminist outlook. 0 Things I Hate About You is a high school relocation of The Taming of the Shrew in a feminist viewpoint. The incorporation of the teen movie genre and the values of money and status in the movie ensure the plays relocation into high school, while the change in gender conventions provides a more feminist perspective of the movie. The modern adaptation moves away from its misogynist basis and entertains a teenage audience by transforming aspects of Shakespearean drama into common adolescent experiences.